“What might have taken a few days to do (with a smidgen more money and even less desire) instead took a little over an hour. Ulriksen recenly did a full-page piece for Mother Jones, but at the last moment, the art director realized the magazine needed a horizontal version for the website. Ulriksen said that he recently discovered another advantage. There’s texture brushes and there’s splatter brushes and there’s paint roller brushes,” Ulriksen said. “And so all of a sudden it’s like, it’s the brushes! That’s how they do it. “When I would see digital work in a publication, I go, ‘how do they do that, how do they get that that texture, how do they get the splatter? How they get it to look so, you know, rough and tumble, because you know because I don’t know how to do that as a painter so well,” he said.Īfter experimenting with every brush in Procreate, he had his answer. I’m technologically illiterate but I really wanted to eventually work digitally because it seems like that’s what the art buying public is looking for in the world of illustration these days, and I like the speed of it.įriends advised him to get an iPad Pro, Apple Pencil and the Procreate app, and he said he quickly understood why. Ulriksen told Business Insider that he felt he had no choice but to attempt to make the transition.
Mark Ulriksen, an artist who created illustrations for New Yorker magazine for almost 20 years, says that he went from being ‘technologically illiterate’ to an iPad evangelist after buying an iPad Pro, an Apple Pencil and the drawing app Procreate …
0 kommentar(er)
